Wendell & Wild
This was the first time I worked on a stop-motion feature. Every scene was shot on a motion controlled rig so we received from the client multiple passes. A foreground beauty with the rigged puppets animated on blue screen, a clean plate and a blue screen pass to help pull the key.
The backgrounds were partially practical and enhanced/extended with a mix of CG and DMP elements. Cold breath was added in comp as well.
Client
One Of Us
VFX Supervisor
Robin Stuart Ashworth Cape
Compositing Supervisor
Tom van Dop
Director
Henry Selick
Production
Netflix
Year
2022