The School for Good and Evil

This was another 9-1-1 project that needed a quick turnaround. Shot on blue screen the work presented few challenges: a sequence was shot on exterior while the other was shot in studio so it needed careful colour matching. The Twin was a stunt so it was resolved with either a slit screen or basic face replacement. Backgrounds were a mix of DMP and CG while skies were mainly done in comp.

Client
One Of Us

VFX Supervisor
Victor Tomi

Compositing Supervisor
Tom van Dop

Director
Paul Feig

Production
Netflix

Year
2022

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Wendell & Wild

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Locke & Key Season 3