Munich: The Edge of War
As many period dramas most of the VFX are invisible. Munich was no exemption. The work required plenty of set extensions and CG reflections on cars body and buildings windows.
Work also involved green screen extraction for all the in-car shots
Client
One Of Us
VFX Supervisor
Theo Demiris / Jacopo Landi
Compositing Supervisor
Guillaume Ménard
Director
Christian Schwochow
Production
Netflix
Year
2021
